Shortly before his death, Johnny Cash was asked who he thought the best male vocalist in country music was. His response: Dwight Yoakam. Anyone wondering where Cash was coming from need only spin “Close Up
Jonathan from over at Slant gave me the heads up today about this video circulating on YouTube. Apparently Sugarland has been doing quite the unexpected cover song in concert lately: When I first heard “Irreplaceable”,
If “Lost” revisited the smoky romance of “Breathe”, “Red Umbrella” is just as reminiscent of Hill’s whimsical pop-country confections “This Kiss” and “If My Heart Had Wings.” Her joy-filled performance and the candy-sweet production come
This their finest single to date. Jennifer Nettle turns in an achingly vulnerable vocal, with only an acoustic guitar backing her up for most of the song. “Stay” is the story of the other
Good enough. She sounds fully engaged, it’s up-tempo and rowdy without being in-your-face obnoxious, and every detail from this last call scene sounds authentic and believable. It’s certainly more realistic than “All Jacked Up.” I
Forgive me, but the awkward writing int he chorus keeps making me think that he’s married to his sister. Anyway, cute stuff. Any time I’ve been caught behind a tractor it’s been okay to pass
Today’s country music is heavy on stars but light on icons. Dolly Parton, my friends, is an icon. Her new single, “Better Get to Livin’”, is one of the best singles of the
I realize that I’m supposed to be swept away by the charm of this story, a young man asking a father for his daughter’s hand. All I could think of listening to this,
All of the fiery fiddle and the production magic can’t create enough of a distraction from the problems with this record: the song is terrible and the vocals are even worse. That this is
Similar in theme to the recent Big & Rich single “Between Raising Hell and Amazing Grace”, but stronger in execution. The “prodigal son” theme has been done before, but by weaving in a believable storyline,